}

Friday, April 26, 2024

AmeriNZ Podcast episode 413 is now available

AmeriNZ Podcast episode 413, “Eighteenth season”, is finally available from the podcast website. There, you can listen, download or subscribe to the podcast episode, along with any other episode.

The five most recent episodes of the podcast are listed on the sidebar on the right side of this blog.

Wednesday, April 24, 2024

Have nice things. Or not.

People have opinions about everything possible. Of course they do: It seems to be a large part of being a modern human. Even so, it’s amazing how people seem to feel the urgent need to spout their negative opinions about things that don’t matter, like pop music. I had two reminders of that this week.

I don’t take part in any of the numerous social media arguments over something in pop culture—movies, TV/streaming shows, music, etc. In general, my feelings about pop culture are summed up in Arthur’s Law:
Everything you love, someone else hates; everything you hate, someone else loves. So, relax and like what you like and forget about everyone else.
Not everyone feels that way—shocker, I know—and many of the Internet Fights I’ve seen are centred on, or related to, something in pop culture. I honestly cannot understand why people get so bothered about what other people enjoy. To me, it seems like such a colossal wast of time and energy.

I was reminded of this a few days ago when I saw a Facebook “Memory” about what I posted after the death of Prince in 2016. I later blogged about that, and the post incorporated much of what I said on Facebook. At the time, I was taken aback by the fact that some people couldn’t even leave people alone to grieve the loss of an artist they liked and admired. I said:
The Internet has provided a great way for people to share their grief with people who feel it, too, and that’s wonderful for them. Really, that should be good enough for the rest of us.
Of course, it wasn’t good enough for some people who chose to be truly awful to other people. It just felt wrong to me—not the first time that’s happened. That made me think about all the other times I’ve seen people that seemingly decided that the world simply HAD to know how much they hated a particular thing in pop culture, especially in pop music, which seems to draw the greatest level of attacks.

At the moment, there seems to be no one in pop culture who is a bigger target of hatred than Taylor Swift, but, to me, it’s utterly mystifying. My cards on the table before I go a step further: I like a lot of Taylor Swift’s songs—actually, that should probably be written be as “a LOT”. However, I wouldn’t call myself a “fan”, mainly because I’ve never bought any of her music (I’ve added her music to my Spotify library), However, her song “The Man” was one of my favourite songs of 2020, and the music video [WATCH — no, seriously, watch it!] is quite probably my favourite video of that year (and on my list of all-time favourites). It’s one of the things that got me through the first Covid lockdown. All of which is to make clear that I think she’s an enormous talent, even though I don’t call myself a “fan”—actually, am I a fan of anyone anymore? A topic for another time, maybe.

There’s a thing called toxic fandom, and they can be fans of literally anyone in the public eye. Personally, I’m not too keen on the aggressive and toxic fans of the frequently napping oddly-hued senior citizen politician from Florida, and the toxicity of such fans can be alarming. However, the number of such fans is astonishingly small considering how much attention they get in the media. Taylor Swift absolutely has aggressive and toxic fans, too, but they’re self-evidently NOT the majority.

I think part of the problem is the imperative of modern journalism to promote the sensational and even outrageous in order to get clicks on links (and, even still, eyes on broadcasts). It’s the old-timey journalist’s slogan, “if it bleeds, it leads”, or even “dog bites man isn’t news, man bites dog is.” The news media, then, has a financial incentive to give airtime and print space (online especially) to the most extreme examples of toxic fans being toxic, and while such fans are absolutely not the majority of a given fandom, and even though it can be argued they cast a shadow out of more normal fans, that doesn’t make those more normal-behaving fans insignificant.

I mention all that because part of the hatred directed at Taylor Swift is “justified” but some people as their supposed reaction to the antics of some of Taylor’s aggressive and toxic fans. The question is, those particular fans’ behaviour aside, why do so many people seem to hate Taylor so very much? Far too much of the answer comes down to politics and culture wars.

Not long ago, the news was filled with fans of NFL (American football) reacting bitterly to Taylor’s relationship with Travis Kelce, a tightend for the Kansas City Chiefs. Fox “News” picked up the chorus, condemning her for having the utter audacity to go to watch Kelce play, and declaring there was a fix in for the Chiefs to win the Super Bowl so that she could endorse Joe Biden for president amid all the media coverage. The Chiefs won, and, of course, Taylor didn’t say a word about President Biden.

Fox and other rightwing media outlets then switched their attention to Swift’s hugely, insanely successful Eras Tour. Fox performers claimed Swift would use the platform to urge her fans to support Democrats, something that apparently came from her previous non-partisan urging of her fans to register to vote (and they did). Fox performers demanded that Taylor “stay out of politics”, which, oddly enough, is a demand they’ve never made of any rightwing performer since, well, ever. Amazing, isn't it!

With the rightwing media ecosystem promoting hatred of Taylor Swift, it was inevitable it would metastasise. Now, it’s become part of the USA’s far-right religious-political activism.

Today I saw a cut-and-paste share of a Facebook post by a far-right “Christian singer, songwriter, former worship leader,” and failed Republican candidate for Congress (because I’ve never heard of him, it seems prudent to not name him, so as to not give him a Google boost). He wrote on his Facebook post, “Almost half the songs on Taylor Swift’s new album contain explicit lyrics (E), make fun of Christians and straight up blaspheme God. Is this the music you want your kids listening to? Do you think I’m overreacting?” Well, since he asked, yes, I absolutely do.

He shared small portions—in one case a single line—of lyrics to songs from Taylor’s latest album, The Tortured Poets Department, and I found nothing in those quoted lyrics to be even remotely offensive, so I decided to listen to the songs in their entirety to find out for myself what he was clutching his pearls about.

The fact is, I liked all three songs, and the two the guy seemed to be the most apoplectic about (because he shared more than a single line from them)? I liked those two the best of the three. This doesn’t surprise me in the least. The rightwing is constantly bleating on and on and on about how “the Left”—by which they actually mean anyone who’s not a rightwinger—is “woke” and they’re all “snowflakes” who can’t accept offence and should “just to grow up”, and because this is the rightwing mantra, I have a question: What should mainstream people say about rightwingers when they entirely overreact to a song’s lyric and claim to be mortally offended by “attacks” on supposed Christians and their version of the Christian god? Are they “woke”? Well, yes, and insofar as that has any meaning, it’s their version of it—though they’d probably prefer their version of the term, “red-pilled”. What’s clear is that, by their own definition, they’re being “snowflakes”—people who can’t accept offence.

It’s easy for people to be cynical about their ideological opposites, presuming they’re arrogant, aggressive, that they lack intelligence or, at the very least, self-awareness, and that their defining trait is hypocrisy. It’s also easy to point out things that seem to justify the prejudice, like the pearl-clutcher who attacked Taylor who then used the comments on his post to market t-shirts he sells on his website. Obviously, neother hypocrisy nor grifting is defined of limited by ideology, even though it seems like the Right has more than their fair share of it.

Decades from now, Taylor Swift and all the nonsense thrown at her by the rightwing in particular will be items in history books, but is this really the way her loudest critics want to be remembered, as intolerant pearl-clutching snowflakes? I ask for a very simple reason: The rightwing constantly demands that mainstream people should “just get over it” whenever rightwingers say or do something the mainstream finds offensive or over-the-top. Shouldn’t righwingers do the same?

Everything you love, someone else hates; everything you hate, someone else loves. So, relax and like what you like and forget about everyone else. No, really!

The graphic up top is something I've seen on social media for several years. Sometimes the graphic has been altered to make a different statement, but the text in this version is the first I saw. I couldn't find who originally created the graphic or where it's from (or even if this version has the original text), however, the first online use I could find was from 2016.

Tuesday, April 23, 2024

In these modern times

I’ve been a sceptic of the promises made about machine learning, something the media usually calls “A.I.”, for “artificial intelligence”. It’s not that I think it’ll rapidly become self-aware and decide to kill us all—that’ll come later (mostly kidding…). My scepticism is because the promises made have mostly been hype and marketing puffery with little to show for all the hot air expelled. And yet, A.I. is already everywhere, and together with algorithms of various sorts, they will increasingly dominate how we interact with companies and the world. In fact, they already do—and that’s a problem.

Back in February, one of New Zealand’s two supermarket companies, NZ-owned Foodstuffs, announced they would trial Facial Recognition Technology (FRT) as part of their store security, in an effort to reduce in-store crimes. Customers entering a store will be scanned and the system will compare the images with folk in their database. The company said that if the computer finds a match, it will require a second person to do a visual match. If the individual is still considered a match, they’ll be confronted by store security. The company talks about reducing violent and abusive behaviour—which is a very real problem—but it’s obvious it has a roll in excluding recidivist shoplifters, too.

However: FRT is not even remotely foolproof, and the systems make mistakes constantly—especially for women who are not of European descent, such as, Māori, Pacific Island, and Indian. In fact, this problems has already happened.

On Monday, 1News reported that a woman of Māori descent in Rotorua was misidentified as a thief. The woman says she provided the store security with her ID and told them she was not the person they’d trespassed. "It didn't seem to change their mind which was already made up based on what they saw," she said. The company apologised and blamed “human error”, which is another huge problem in the system: It relies on the human verifier being unbiased, something all humans struggle with to varying degrees, and many studies have indicated racial and ethnic bias is common in these sorts of situations. Put another way, no one's perfect. The woman observed, "[It's] ironic they blame human error for an AI piece of technology knowing it will have false positives and errors across the board." Exactly. Also, the incident happened on her birthday.

New Zealand’s Privacy Commissioner already had concerns about this use of FRT, so it seems probable his level of concern will be heightened. He’s definitely not alone in that. My local New World supermarket is part of the FRT trial, and I’ve never been comfortable with that fact.

Meanwhile, NZ’s other supermarket company, Australian-owned Woolworths, announced yesterday that it was rolling out body cameras to all of its stores because, the company says, it’s seen “a 75% increase in physical assaults and 148% increase in ‘serious reportable events’ in the past three years”. The cameras will be worn around the neck and only turned on if there’s an incident. Also, staff are supposed to notify customers before recording.

It’s easy to see how in a tense situation a staff member may forget to tell a customer they’re being recorded—or, the staff member may forget to turn it on at all. In a statement quoted in the linked article, the company claims, “Footage will not be released except when requested by police as part of an investigation." So… they won’t turn it over to the police unless its requested by them? What will they do with it if it isn’t requested? How long will they store the footage, and how securely will it be kept? Who will have access to it, and for what purposes? Will A.I. be used, as with Foodstuffs, to identify repeat offenders? Seems to me the Privacy Commissioner ought to be concerned about this, too.

There’s no sensible person one who isn’t concerned about the rise in abuse and even violence directed at retail workers, and we’re well aware that shoplifters are driving up costs for us all. However, that doesn’t mean that there aren’t legitimate questions that need to be answered, and it also doesn’t mean companies—or governments, for that matter—can do absolutely anything they want and have no controls or restrictions just because they say it’s for “security”. We’re in a completely new arena now, and that’s all the more reason there must be extra caution.

The main problem is that just like its human creators, A.I. isn’t perfect, and its flaws are compounded when the humans in the mix are placed in situations in which their inherent biases may be reinforced by the A.I. system’s inherent flaws. There’s also no such thing as a computer system that can’t be hacked, which is another reason privacy considerations are so important.

We need to dial down the hype and pay more attention to the legitimate concerns about privacy and the potential for harm caused by mistakes—by A.I. or the humans involved in the process. Meanwhile, we do need to do more to stop crimes and violence against workers in stores, and that will likely require legislation. Indeed, the two supermarket companies’ use of technology is happening at least in part because government hasn’t provided any solutions. But charging ahead into the unknown with little oversight doesn’t seem like a great idea. What I’m really saying is, let’s get this right—while we still can.

Sunday, April 21, 2024

Weekend Diversion: 1984, Part 5

This week in 1984, yet another new song went to Number One, beginning yet another three-week run at the top of the Billboard “Hot 100”, and it was yet another song from a movie. It was the third single of 1984 to have three-weeks at Number One—though all of the Number Ones of 1984 up to that point spent multiple weeks at the top of the charts, too. On April 21, 1984, the new Number One was ”Against All Odds (Take a Look at Me Now)” (video up top) by English drummer, singer, and songwriter Phil Collins, who is also known for who work with UK rock band Genesis (which is where I first heard of him). It was Collins’ first solo song to reach Number One in the USA.

Collins wrote the song as the title track for the film Against All Odds (a film I’ve never seen), basing it on an earlier unreleased song of his. The song was the first track on the film’s soundtrack album. The song was also nominated for an Academy Award, as was the album.

I remember hearing the song at the time, and I thought it was nice enough, but it didn’t particularly appeal to me: It was a lack of liking it, not an active dislike. That’s probably my most common reaction to pop music hits, which I think is actually quite positive: It’s not been common for me to actively dislike a pop song, and there have been very few that I detested. At the other end of the spectrum, there have been relatively few I loved, more that I liked, and between the two ends of of the spectrum are all the songs I neither liked nor disliked, and “Against All Odds” is in that group. I suppose I may have felt differently about the song if I’d personally identified with the lyrics, but I didn’t. It happens.

The music video was directed by Taylor Hackford, who also directed the film. It’s like a lot of videos of songs from a film soundtrack—filled with scenes from the film, though at least it has some shots of Collins performing the song. I don’t remember the video at all, but it spent several weeks at Number One on MTV, ending up at Number 4 on the channel’s year-end Top 20. According to the Wikipedia article on the song (linked above), “Gary LeMel, music supervisor at Columbia, felt the music video on MTV increased Against All Odds' box office takings by at least US$5 million,” so there’s that. The version above is the only one that I could find on YouTube, something I've seen before with movie soundtrack songs. On his YouTube Channel, though, Collins has shared a live version that's labelled “official” [WATCH/LISTEN], and it may remain online if the one above is ever taken down.

“Against All Odds (Take a Look at Me Now)” reached Number 3 in Australia, Number One in Canada, 3 in New Zealand, 2 in the UK (Platinum), and Number One on the USA’s Billboard “Hot 100” (Gold). The movie soundtrack album reached 33 in Australia and 12 on the USA’s “Billboard 200” chart.

Against all odds, this week’s story is complete. The series will return May 12 with yet another new Number One. Will it be another multi-week run at Number One? We’ll take a look at it then.

Previously in the “Weekend Diversion – 1984” series:

Weekend Diversion: 1984, Part 1 – January 21, 2024
Weekend Diversion: 1984, Part 2 – February 4, 2024
Weekend Diversion: 1984, Part 3 – February 25, 2024
Weekend Diversion: 1984, Part 4 – March 31, 2024

The ordinariness isn’t ordinary, but it is

The path of our life can take any number of routes, and for some people there may be a lot of twists and turns along the way. I’m certainly in that category, and my own labyrinthine journey is something I’ve detailed in posts here on this blog, and sometimes on social media, too. Through that journey, I’ve come to realise that given half a change, ordinariness will try to reassert itself in a life that has been made, for a time, at least, anything but ordinary.

When someone extremely important to us, our person, dies, nothing is the same afterward, nor can it be. How much and how quickly ordinariness returns will depend entirely on who we’ve lost, and what changes that brings to our lives. However, I now think that even when things seem the most dire and even hopeless, ordinariness is nearby waiting to take the stage again. That’s certainly something I’ve recently noticed in my own life.

Yesterday, I published a post, “It’s not merely a tree” in which I looked at several events that happened over the years on April 20, as served up to me as Facebook “Memories”. What got my attention was the coincidental use of photos of a tree almost exactly one year apart, and how the photos were both about ordinary, everyday life. Obviously, so very much has changed over the years, and I noted that in the post, too.

I realised that most of my blog posts nowadays have little to do with my grief journey itself, though the reality of it is sometimes integral to the subject I’m writing about, even though it’s seldom the main focus. I think two recent things that are examples of that.

The first of those is the brunch I made for myself this morning (photo up top): It’s “Toasty eggs”, as Nigel called it, with a side of baked beans straight from the tin, just like he used to have. I talked about them in October last year, and the overall subject was about, as I said at the time, “that food can spark strong memories, and even emotions,” and I shared three examples of that.

The second example is from this past week, a post called “Ironed-clad”, which was about me ironing my shirts—the history of how I got there, why I do it, and how I do it. Nigel was part of that story, but ironing was the actual subject.

What both of those have in common—as do many of my posts about my ordinary life—is an acknowledgement of what connection, if any, Nigel has to the story, but in every case the real story is about the topic as part of my ordinary life. The connection to Nigel is about the context and my history with the topic, but not about the void he’s left in my life, nor about how I’ve been working to reconstruct my life and create some sort of new life I never contemplated, let alone planned for. In short, my focus now is on where I’m at, not where I was or what I’ve lost, even though those are fundamental to who, where, and what I am and am becoming.

None of this is meant to suggest in any way whatsoever that my grief journey is “over”, because that doesn’t happen—we grow with our grief, not away from it. Instead, I simply feel that reached a point where my life with Nigel has become my bedrock, the immutable foundation on which I’m building my new life and new self. It is a part of me, and of my new ordinary, but it’s no longer the centre of everything.

Which brings me back to how I now see the extent to which I seem to be talking about ordinary things in my life, because that also means that I notice ordinary things absolutely anywhere now, and many of them have little or nothing to do with the part of my life that was lost. I don’t know that I’ll ever stop commonly referring back to Nigel when talking about my ordinary life, especially when talking about how I got to where I am, but I suspect that day could come.

Right now, though, I’m mostly just fascinated by the way my focus and attention seems to be on the ordinariness of my life, even though how I got to this point isn’t ordinary, though the fact of being a widower certainly is. Life is a strange journey, and despite what some people seem to think, there are no road maps. But this blog, and what I’ve shared on social media, has helped me find my way, and that’s a very good thing—and, for me, entirely ordinary.

The screenshot of the alert on my Apple Watch about closing the Exercise ring is unusual: Lately I've been closing the Exercise ring (the green one) more often than not, and that never used to happen so often not even when Nigel was alive. For the record, I did close the ring (along with the other two) yesterday. Maybe this, too, is part of my new ordinary?

Saturday, April 20, 2024

It’s not merely a tree

Facebook “Memories” are a useful way for me to find out what I was posting on the platform on one date. Sometimes one or more are really interesting, most often they’re not, but either way, they’re presented to me without me having to do anything. I’ve found that very useful for this blog because they often inspire new blog posts. Today is the first time it reminded me too late—except, maybe it wasn’t.

Thanks to a FB “Memory” today (up top), I found our that a year ago today—April 20, 2023—I posted a photo of the same tree I shared a photo of yesterday, and from pretty much the same angle. I didn’t remember that I did that, which means I don’t have a photographic memory (you’re welcome). I also didn’t remember that I posted a blog post a year ago today, too, a post that included the two photos in the “Memory”. Obviously there’s no particular reason I should or would remember a blog post from a year ago, and even though I knew that the tree had “been in many of my photos over the past 4+ years”, I didn’t see a need to look through 4+ years of blog posts to look for them.

This could’ve been a story about a FB “Memory” letting me discover that I shared very similar photos of the same tree one year and one day apart, and if that was all there was to it, I may have shared the discovery on my personal Facebook—and, in fact, I did, adding “I see that last year the tree had also lost leaves mostly from the same side as this year, though fewer of them. Guess the prevailing winds might come from that side.” All of of which is at least a little bit interesting, but I doubt I’d ever have blogged about it, too—until I scrolled through the rest of today’s “Memories”.

It turns out, this day has been a significant day for me over the years (some of the other “Memories” are at the bottom of this post).

Seven years ago today, we’d been living in South Auckland for only a couple months, and I shared one of those answer-some-question memes (not one that identity thieves supposedly use), and I said that my favourite place to be was with Nigel.

Six years ago today, Nigel and I were still in Clarks Beach, and I’d just had my annual flu jab. I said that “My arm is kinda itchy and bumpy where I got my flu jab. That’s why I don’t like jabs. Not dying from preventable disease is why I love jabs.” That’s still true, of course, and why I’m in the process of getting my latest jabs between now and June.

Four years ago today, the government announced that the first Covid lockdown was ending a week later by moving down an Alert Level to Level 3, the first of those. I’m pretty sure it was stricter than later versions of Level 3, which is why I called it “Lockdown Lite”. Level 3 eventually got the nickname “Lockdown with takeaways”.

But four years ago today I was living alone in Hamilton, though still with all three dogs, with whom I’d shared that first Covid lockdown that would downgrade a few days later. Nigel and our cat were missing.

A year ago today, it was just me and Leo, and my attention was captured by a tree—a tree!—and not any infectious diseases or preventive measures related to them, and not even by my changed life. Yesterday, it was that tree again, and a focus entirely on my current ordinary life.

I realised that today’s Facebook “Memories” gave me pretty much the clearest look at the arc of my life I’ve ever seen in those daily memories, and that was mainly because of the tree photo: I might not have noticed my story’s arc otherwise. I think that the arc of our life stories is always visible if we look, and looking can tell us a lot about our path and how we got where we are in our current lives.

Everything in life is connected—our lives, our life stories, and how they connect to others and their stories. All we have to do is be willing to SEE when we look. Apparently, even a tree can help with that.

It’s the connections, then, the fact that Facebook so clearly showed me the path of change my life took over the past seven years. So much has changed over that time, and so much will change in the future, too, and documenting all of that is actually the whole point of having a personal blog.

So, the coincidence of posts about a tree ended up in a blog post after all. That and a lot more.

Friday, April 19, 2024

Autumn adventures

Autumn is definitely here, and I’ve been watching its progress on a tree on my street, a tree that’s been in many of my photos over the past 4+ years (including above). I noticed today that most of the leaves it's dropped have come from one side, and that was after some windy days lately. Unfortunately, this tree is also about as close to “pretty autumn colours” that we get in this part of the country, which is probably because we don’t get any frosts until winter, and even then they’re mild. Even so, there’ll still be plenty of leaves to grind up when I mow the lawns next week.

That wasn’t the only nice thing in my day: Today I met up for lunch with my mother-in-law, two sisters-in-law, and my cousin-in-law. It’s always nice to have a catch up, especially when the meal is nice. After I dropped of my M-I-L at her place, I stopped at Animates to pick up flea/worm stuff for Leo, and I decided I may as well get him some more food because he’ll need more in the next month or so, and it’d save me a trip at that time.

I was trying to decide which size bag to get, because it IS expensive (it ain’t called “super-premium for nothing), and I suddenly remembered something: Leo will be seven at his next birthday (in around six weeks), and that’s the age I’m to start transitioning him to “senior” dog food—already!

So, I decided to buy a small bag of his current “adult” food, and that size will make it easier for me to manage the transition to his new food when the time comes in a couple months. Time is going so fast nowadays!

And, yes, today I wore one of my nicer shirts that I’d ironed in the past week or two (IYKYK). And for the photo above, I first shared the photo to my Instagram, and then I made a lengthy comment when Insta shared the photo to my personal Facebook; the comment described my actual day.

This post, then, is a mishmash of both of those, all squished together and spread neatly on the pan—I mean, page: Today was also a 4-year cooking anniversary—a meal I haven’t made again since. That was in a FB “Memory” this morning, and it kinda, coulda been its own blog post—I did briefly consider that. So this post, then is actually a tale of three tales. Unlike last time, none of them caused confusion, which is probably why I had to try harder to do so in this post.

Anyway, what’s the point of blogging if I don’t have a bit of fun with it now and then? Especially because good moods for me aren't necessarily all that common these days. I'm just glad that I had a nice lunch and visit with family, then I had a revelation about Leo, took a photo of one of my nearby trees, and did it all while wearing a recently ironed one of my nicer shirts. Winning!

Thursday, April 18, 2024

Ironed-clad

I ironed shirts yesterday. That’s not particularly unusual for me, because I’ve done that for much of my life. On the other hand, it is different from my life in the past: The context has changed, the frequency had changed, and recently it changed from being something I did from time to time to a chore I do roughly once a week. It’s not as simple as it may seem.

My mother showed me how to iron shirts when I was a little boy—8 years old or even younger. I can remember enjoying it—something about making all the wrinkles disappear into smooth cloth—a kind of restoring order to chaos, though it’d be many, many years before I’d think of it that way. I also remember asking her if she had shirts I could iron, and she gave me some of my dad’s—though I don’t know if they were ones he actually wore or if they were “spares”. In any case, I think my childhood stamina probably wouldn’t have let me do it for too long.

Over the years and decades that followed, I ironed my shirts from time to time, though in the 1970s and 80s most of them didn’t need ironing. By the 1990s, I started ironing trousers, too—chinos, and other casual pants.

When I arrived in New Zealand, ironing became one of my chores, mainly because Nigel hated it. So, every morning I’d iron shirts for us to wear to work. Around this time we bought a new iron, and I while I can’t remember if we needed one or I wanted a new one, I know two things about it: I wanted one with a stainless steel sole plate, like my mother’s iron had (Nigel’s had a non-stick sole plate). I also insisted it had to have automatic shut-off, a function that would turn the iron off it if wasn’t moved for several minutes. That turned out to be a good move, because, as I feared, one day we were in a hurry to leave the house and I forgot to turn the iron off. When we came home at the end of the day, it would have still been on otherwise.

In the late 1990s, I happened to see a segment of a magazine-style NZ TV show, and the host was interviewing Glenn Turner, a New Zealander cricket player who was coach of the New Zealand national Cricket team for a second time in 1995 (officially nicknamed ”The Black Caps” in 1998), including through the 1996 Cricket Work Cup (New Zealand was defeated by Australia in the quarter-finals). I can’t remember the subject of the interview, but it could’ve been about him and his wife, former Mayor of Dunedin, Sukhi Turner, or it could’ve been in 1998 after Glenn published his fourth book, Lifting the Covers. While I don’t remember any of the details, there's one thing I definitely remember: In the interview, Glenn was ironing shirts, and he gave a verbal explanation of how to do it. Basically, he did the same as me—starting on one side of the front, moving the shirt around the ironing board to the other front side, then doing the sleeves, and finally the collar. Actually, that’s the way I do it now—I didn’t necessarily always do each shirt the same way, and I also had never done one other thing Glenn said to do: Use the collar as a handle to move the shirt so you don’t wrinkle any part you’ve already ironed. I've always found cricket to be educational.

By the early 2000s, I started ironing a week’s worth of shirts at once, prioritising Nigel’s work shirts because at the time his office attire was a bit more formal than it would later become (he wore ties every day, for example). This eventually became something I did on Sunday evenings as I watched TV, something I did right up until close to the time Nigel first went into hospital, less than two weeks before he died.

Whenever it was, that was the last time I ever ironed on a Sunday evening.

In my early days in Hamilton, I ironed in the daytime, and never on a Sunday, but that wasn’t for any emotional or sentimental reasons: It was mainly because I simply didn’t have a good spot to put the ironing board so I could still watch TV, as I’d done for many years before Nigel died. However, it’s also true I was well aware that it had been my Sunday evening ritual, and it had been mostly for Nigel, and that did make me feel a bit sad at first.

I also ironed whenever I could work up the energy: Nowadays I find it extremely tiring, hot, and it makes my lower back quite sore (because ironing boards are too low for me). But then something happened that made me think I should make ironing a regular household chore.

Back in August of last year, I talked about how a favourite shirt tore open. I said in that post:
I liked the shirt because it was baggy, and because it didn’t need to be ironed, however, that may have sped it’s demise: As it got older, it got wrinkles (a bit like me…), especially in the lower half of the back (totally unlike me…). Those creases, as high points in the fabric, became worn until one eventually tore open. Would ironing have extended its life? Well, probably, because if I needed to iron it I wouldn’t have worn it very much (at any given time, I have quite a few shirts waiting to be ironed).
I have quite a few shirts that I bought 20+ years ago because they were inexpensive and didn’t need to be ironed, partly because they were all 100% synthetic. I had enough shirts that I didn’t necessarily wear them all that often, especially because I had a lot of much nicer ones (that needed ironing…). For years I merely hung the inexpensive shirts up to dry, and only ironed the much nicer ones.

Once I was living in Hamilton, I found I was spending a lot of time at home (especially because of Covid lockdowns and related restrictions), and I started wearing the cheaper shirts much more often. After my favourite shirt tore open in the lower back, I noticed the inexpensive shirts all had similar wrinkled areas in the lower back. I decided to start ironing the shirts to extend whatever life they had left.

This evolved into a roughly weekly ritual, and after ironing whatever inexpensive shirts I’d recently washed and hung up to dry, I’d then iron a few of my nicer shirts—because what hasn’t changed at all is that I still have “quite a few shirts waiting to be ironed”, especially ones from other seasons. By choosing to iron regularly, I’m slowly clearing the backlog of unironed shirts.

I have no way of knowing whether this will help extend the life of the inexpensive shirts—many of them are getting quite old now—but at the very least it makes them look nicer, which makes me feel good about myself, and that’s a positive benefit. It’s also putting the much nicer shirts back into rotation, which reduces the number of times I wear any of the cheaper shirts.

Despite the fact it makes me tired, hot, and sore, I actually still like ironing, and it’s mainly for the whole “restoring order to chaos” aspect, a frequent motivator for many of my projects (like mowing the lawns, for example). I also appreciate the fact that when I wear an ironed shirt out in public, it makes it look like I’m making an effort—actually, it’s probably that if I wore wrinkled shirts it’d tend to make me look like I wasn’t making an effort.

At any rate, even if I don’t leave the house, it makes me feel like I’m looking after my appearance to keep myself presentable, even including when I’m just staying home. That’s something I’ve done ever since I started working from home some 20 years ago—no wearing pyjamas all day for me!—but I know how easy it is to let go of attention to the details of one’s own appearance when one lives alone and seldom needs to go out in public. By resuming regular ironing, I’ve fixed something I didn’t even realise needed fixing. I guess the shirt I couldn’t fix helped me realise that.

Ironing shirts yesterday (10 shirts, for the record) made me think about all of that, some things in my past, in my present, and even about a former NZ cricket coach who ironed his shirts. That’s a lot of work for something that’s not particularly unusual.

Footnote: The photo up top is of my current steam iron yesterday, immediately after I finished the last shirt. Obviously, this post isn’t sponsored, and Nigel and I bought the iron at regular retail prices, but even it has a story: Some time in Nigel’s last couple years or so, he told me he’d only just realised the plastic on the iron was a gold colour, and that it hadn’t yellowed over time. He realised it only because at the same time the iron was sitting out, the little plastic jug for filling the iron with was also out, and he saw that it was the same gold colour. At the time I was fascinated by that, and mildly amused. It’s something that I’ve remembered every single time I’ve used the iron ever since.